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In Germany, humanity was facing obliteration of another kind. August Sander who could give a black circus performer as much human dignity as a burgomaster. Inevitably fell foul of those who are planning a master race. The Nazi has their own idea of what photographic typology were for cataloging racial type, for example.

Our government that prized sameness and prized a certain highly idealised version of what its people ought to be. Simply could not stand all the idiosyncrasy in some of his pictures  everyone of his people is frail flaw human highly imperfect troubled worried that’s not to the world of the master race absolutely not.

 The Nazis banned Sanders book, and the printing plates were destroyed, but the further Germany descended into its collective madness the harder Sander clump to his typology. The Nazis may have no place for him in their system, but he made a place for them in his.

When the national socialist came to power 1933, he also felt that it was his duty to document these people too. He film these people with the same clearity as he did anybody else, as he did with the Jewish people who came to him and the image we see in the books the persecuted Jews. Many people don’t realise they are passport pictures, people came to Sander to get the passport picture done for immigration.

So it’s in 1938 and this is persecuted man and again the hands tell a lot don’t they really, he all his fingernails are bitten and his hand all scrunched up. And then his son, it take a while to decode to find this is his son, his son Eric but there he is. Sander’s son Aric was a commusist, when he was arrested in 1984 Sander arrange to have his photograph taken in his prison cell. He died still a prisoner ten years later. Sander photographyed his death mask. It appeared in the category call the last people.