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2008年DC探索发现文章列表
 | The Genius of Photography 摄影演义后传- 14 | ||||||||
| In Germany, humanity was facing obliteration of another kind. | |||||||||
| The Genius of Photography 摄影演义后传- 13 | ||||||||
| The worlds least likely surrealist died a few months after his discovery. | |||||||||
| The Genius of Photography 摄影演义后传- 12 | ||||||||
| In 1926, the surrealist and the maker of documents met---an encounter between photographys past and present, which would have a profound influence on its future. | |||||||||
| The Genius of Photography 摄影演义后传- 11 | ||||||||
| But while Atget cautiously explored the borderline between one kind of reality and another, a photographer with his studio on the same street in Montparnasse was already pushing deep into the territory of the unreal. | |||||||||
| The Genius of Photography 摄影演义后传- 10 | ||||||||
| Atget is the photographers` photographer. Getting to the bottom of one of his pictures takes time and a bit of juggling. | |||||||||
| The Genius of Photography 摄影演义后传- 9 | ||||||||
| By the 1920s, when he was in his 60s, Atget had a symbol, a unique typology of old Paris, consisting of more than ten thousand images. | |||||||||
| The Genius of Photography 摄影演义后传- 8 | ||||||||
| So if we look at this picture, we can see here, in the Rodchenko book, how the original looked, rather grey and flat across here | |||||||||
| The Genius of Photography 摄影演义后传- 7 | ||||||||
| Radical photographic style was combined with cutting-edge graphics, | |||||||||
| The Genius of Photography 摄影演义后传- 6 | ||||||||
| Theres nothing you can do. Help me in (a) what way? You know, save me from what? Protect me from what? | |||||||||
| The Genius of Photography 摄影演义后传- 5 | ||||||||
| For all its apparent rigor, theres an oddball quirkiness to Sanders system. | |||||||||
| The Genius of Photography 摄影演义后传- 4 | ||||||||
| “Theyll be very, you know, rigorous in terms of the search they do. Theyre doing blast furnaces. | |||||||||
| The Genius of Photography 摄影演义后传- 3 | ||||||||
| Within a decade, photography was being used to record pond life of another kind, the criminal underworld, cataloged by police mug shots. | |||||||||
| The Genius of Photography 摄影演义后传- 2 | ||||||||
| To hold a camera in your hands in the 1920s was to hold the future. | |||||||||
| The Genius of Photography 摄影演义后传- 1 | ||||||||
| In the course of our 170 year relationship, photography has delighted us, served us, moved us, outraged us and occasionally disappointed us. But mainly, it has intrigued us by showing the secret strangeness that lies beneath the world of appearances. | |||||||||
| Life After People 人类消失后的世界-23 | ||||||||
| Iron corrodes, concrete crumbles, wood and paper decay. Still, some of what man built on earth remains. | |||||||||
| Life After People 人类消失后的世界-22 | ||||||||
| Here we are, in Foley Square, the administrative center of New York City and location of the famous courthouse you used to see on TV. | |||||||||
| Life After People 人类消失后的世界-21 | ||||||||
| Below the surface of reinforced concrete structures there is a mesh of steel reinforcing bars. | |||||||||
| Life After People 人类消失后的世界-20 | ||||||||
| Section by section, piece by piece, it fell over into the valley where it had spanned the valley for over a hundred years, just not maintained. | |||||||||
| Life After People 人类消失后的世界-19 | ||||||||
| And here the basic biology of these kinds of animals is working in our favor, because animals like the sunfish can produce millions of offspring in a year | |||||||||
| Life After People 人类消失后的世界-18 | ||||||||
| If you go to the Colosseum, you just look at that. Its just loaded with cats. | |||||||||
